Showing posts with label ithrees. Show all posts
Showing posts with label ithrees. Show all posts

Saturday, May 25, 2013

Judy Mowatt on Rastafarianism, Bob Marley ithree's

A Conversation

Reggae gospel singer Judy Mowatt talked to Mike Rimmer about her years with Bob Marley and the reggae superstar’s deathbed conversion to Christianity.
I am sitting in the Hard Rock CafĂ© in Birmingham watching the big screen which is showing a classic Bob Marley clip of “Jammin’” and watching the distinctive figures of three magnificently dressed ladies Marcia Griffith s, Judy Mowatt and Rita Marley swaying gently to the music as they sing backing vocals. I am transfixed because only days earlier I had interviewed Judy Mowatt and she was remembering this period of her life.

The trio had met working in the studio and their voices had immediately blended into something special. Marley himself had recruited them to be part of his backing band, The Wailers. Judy remembered, “The first song we did was ‘Jah Live’ and Bob wanted us to work with him on his ‘Natty Dread’ album. The iThrees were formed continued to work with Marley until his death.”

As you’d expect, Judy was totally engrossed in Rastafarianism, as she explained, “I was a Rasta for 22 years and I was genuine. I embraced the objectives of Rastafari, knowing that one of the aims and objectives were to repatriate to the land of our ancestors. And also to make music to let people be aware of who they are as a people and knowing that the western hemisphere is only a place for them to pass through, but we should return to our father’s land. That was my plan, but God had a different plan! After 22 years I became very unfulfilled, dissatisfied; not by any one thing or by any one person but I started to search inside because I realized that there was something else that I needed that I could not put my hand on. I knew that God was calling me into deeper waters. I was a little bit fearful because I was wondering what my brothers and sisters would say and what would be their reaction. So I was a bit fearful.”

At the same time as her search, the singer’s personal life was filled with difficulty too where two family members were in serious situations. She didn't go into detail but confessed, “I was at a place where I thought I wanted to die but I never had the strength to take my own life. I started praying and I said, ‘God, I really don’t know you because if I knew you, then all of this would not have been happening to me.’ Not knowing that God had used that situation to draw me to him. I started reading my Bible. I had read my Bible three times from cover to cover and I started reading, but the things I was seeing this fourth time were what I never saw in the three times I read my Bible.”


Rita Marley

She continued, “I was seeing it through another pair of lenses. I read, ‘Wherein, there is no other name given among men whereby we must be saved, but by the name of Jesus Christ.’ That flew out of the Bible and into my spirit and that really turned the key. Whenever you have a mindset and you seriously believe something, you’re not going to open to anything else, and I wasn't open to anything else. But God opened me to start seeking and searching.”

It was listening to an interview with Halie Selassie which really challenged Judy's thinking. She remembered, “The interviewer asked him, ‘Why is it that people say you are the returned Messiah?’ and he answered through an interpreter - ‘I’m a mere man. I will be replaced by the oncoming generation and a human being should not be emulated for a deity.’ Somebody gave me a book, an autobiography and selected speeches of ‘His Majesty’ and I see where ‘His Majesty’ is a Christian king! I recognize now that instead of worshipping him, I should be worshipping who he is worshipping! So I see ‘His Imperial Majesty’ as my teacher.”

On stage at last year’s Birmingham Gospel Festival, Mowatt was dressed splendidly in white looking younger than her 52 years. She shared some of her experiences, testified to the truth she’s discovered and sang songs from her excellent album ‘Something Old, Something New’. The crowd clearly loved it.

When she became a Christian in the mid-’9's amidst a wave of other successful reggae artists finding Christian faith like Papa San, Stitchie, Chevelle Franklin and Carlene Davis. After her performance, I ask her what she thinks Marley would have made of her conversion. It was here that she made my jaw drop!
Judy Mowatt

She shared, “When Bob was on his dying bed, his wife Rita called me on the phone and said to me that Bob was in such excruciating pain and he stretched out his hand and said, ‘Jesus take me.’ I was wondering to myself, ‘Why is it that Bob said “Jesus” and not “Selassie”?’ But I never said it to anyone. Then I met a friend of mine and he said his sister, who is a Christian, was a nurse at the hospital where Bob was before he passed on, and she led him to the Lord Jesus Christ. So when Rita saw him saying ‘Jesus take me’, he had already received the Lord Jesus Christ in his life.”

Judy said that sharing that, telling the truth about Marley’s conversion isn’t popular in Jamaica. “People need to know, because they would be drawn also to Jesus Christ. But nobody wants to promote that and in Jamaica, I said it on a popular television program and a Rasta man met me and asked me why did I have to say that? I said, ‘Because it’s the truth!’ But he never wanted me to reveal that and I think that anybody doesn’t want that to be revealed, because so many people would be drawn to the Gospel.”

Thinking back to the ’70s explosion of reggae and its association with Rastafarianism, is it possible that this latest wave of gospel reggae artists might be part of another movement? Could the power of the Spirit see another grassroots movement born and the music be part of leading many to the real truth of Jesus? Judy shared her thoughts, “I see another grassroots movement being born inside of the people of God. Because I think what God did inside the birth of reggae message was to uplift the people that were in degradation, the people who suffered. I mean, the music was birthed out of suffering! Out of Trench Town. It was inside of the pain and the agony that people started singing about it. It is inside of the pain that people are experiencing, where God has given us songs and he’s using the Gospel as a vehicle to go inside places where we probably would not be able to go. But I see this as a continuation of what took place in the ’70s in Jamaica.


 ithree's


The ithree's were a Jamaican reggae singing group made up of three women, that was formed in 1974 to support Bob Marley & The Wailers after Peter Tosh and Bunny Wailer the original Wailer backing vocalists left the band.

The ithree's members were Marley's wife Rita Marley, plus Judy Mowatt and Marcia Griffiths.Their name is intended as a spin on the Rastafarian "I and I" concept of the Godhead within each person.
Sources


Wednesday, December 5, 2012

The ithrees


Rita MarleyJudy Mowatt and Marcia Griffiths

The ithrees were a Jamaican reggae singing group made up of three women, that was formed in 1974 to support Bob Marley & The Wailers after Peter Tosh and Bunny Wailer the original Wailer backing vocalists left the band.The ithrees members were Marley's wife Rita Marley, plus Judy Mowatt and Marcia Griffiths. Their name is intended as a spin on the Rastafarian "i and i" concept of the Godhead within each person.

 Marcia Griffith was already a star when The ithrees came together. Her duet recordings with Bob Andy, which included "young gifted and black," had brought her international attention. When she invited Judy Mowatt, who had previously sung with the Gaylettes, and Rita Marley to harmonize with her on a recording with Bob Andy, she set the stage for the trio's formation. The recording session proved so inspiring that she invited the two women to be guests on a song that she and Andy were scheduled to perform that evening at the House of Chen in New Kingston.


Shortly after the departure of Peter Tosh and Bunny Livingston from the WailersBob Marley asked the three women to sing on his recording, Jah Live. They continued to work together for the next ten years. In early 1975, The ithrees joined Bob Marley for a tour as opening act for the Jackson Five. Although they continued to perform together following Bob Marley's death, the three women soon elected to pursue solo careers.


Saturday, November 26, 2011

Rita Marley - One Draw

       Rita Marley Reggae Queen

Perhaps best known as the widow of reggae legend Bob Marley and often called the "Queen of Reggae," Rita Marley has spent time and energy as the guardian of his estate and musical legacy, and, more important, as the keeper of the flame of his ideas. But her role in the history of Jamaican music has not been limited to her family relationship with Bob Marley. In the mostly male-dominated field of reggae, she was a solo act of note before she ever joined with her husband musically, and she emerged as a successful artist on her own after his death. Moreover, as part of Bob Marley's backing trio of female vocalists, the iThrees, Rita Marley was an important contributor to the music that made her husband famous worldwide.

Rita Marley was born Alpharita Constantia Anderson in Cuba in 1947. Growing up poor, she was raised in the Trenchtown neighborhood of Kingston, Jamaica, that spawned the careers of many of the musicians who created a rhythmically complex, spiritually inclined new music called reggae. Three of those musicians, who had formed a trio called the Wailers, often passed by the metal shack where Rita Anderson was living with her aunt and small child. The Wailers consisted of Bob Marley, Peter Tosh, and Bunny Wailer; they were among the first acts to record at the influential studio of producer Coxsone Dodd. Bob Marley, already a standout talent, made a special impact. "I remember how I would scream to hear his songs on the radio," Rita Marley told Interview.